Bonobo

2nd show added by overwhelming demand!!

Bonobo

Romare

Thu, April 27, 2017

Doors: 7:00 pm / Show: 8:00 pm

Terminal 5

New York, NY

This event is all ages

Bonobo
Bonobo
Simon Green aka Bonobo is back with his sixth album – the masterful, magisterial “Migration” – is a record which cements his place in the very highest echelons of electronic music and beyond. By turns lush, manic, beautiful, melancholy, joyful, packed with both emotion and technical skill, this is perhaps his most ambitious attempt yet to capture the very textures of human existence in his work, as Green says of the broad dynamics on the album, "Life has highs, lows, loud and quiet moments, beautiful ones and ugly ones. Music is a reflection of life."

Bonobo’s last album, “The North Borders,” went Top 30 in the UK and was number 1 in the electronic charts in both the US and UK. In support, his 12-piece collective (over an 18 month period) played 175 shows across four continents and 30 countries, wowing a total audience of around 2 million people. In fact, Songkick reckoned him to be the amongst the most travelled artists on the planet that year. The tour included two sell outs at the Sydney Opera House, an all-day festival at the Roundhouse culminating in a sold out show at Alexandra Palace (10k cap) plus a number of high profile festival slots. Over the course of five albums for the legendary label Ninja Tune, a myriad of tours, singles, remixes and production work for other artists, Bonobo has built a large, loyal and engaged global fanbase: over half a million album sales and over one hundred and fifty million streams on Spotify point to the levels of success achieved by this quiet, self-effacing man. Most recently, Bonobo curated an international series of Outlier events including a sold out all day festival at Tobacco Dock in London and further parties in Berlin, Madrid, Paris and New York.

After the epic North Borders tour, Bonobo relocated once again, continuing his gradual move westward by laying down roots in Los Angeles. He had spent almost three years out on the road with no fixed home and on returning to New York, he found it a “noisy, stressful environment” and decided to try the other coast. All this – both the monumental live and DJ tours and his new home in a city full of people from somewhere else – has fed into what makes “Migration” such a special record. Drawing on both a new interest in found-sound and the “euphoric, spiritual moments” he experienced when playing his all-night DJ sets at his Output residency (where many of “Migrations” tracks were road tested) in New York and his Outlier events around the world, Green has placed the unstable, the heartbreaking, the often beautiful migratory life at the core of how he understands humanity, and hence how he understands music. Migration is to him, ““The study of people and spaces,” he expands, “It’s interesting how one person will take an influence from one part of the world and move with that influence and effect another part of the world. Over time, the identities of new places evolve.” It’s also true that the person will be changed. Green’s newest work is itself a statement of this change and growth.
Romare
The young electronic musician known as Romare wears his inspiration on his sleeve – in fact, he takes his very name from it. Having studied African American Visual Culture at University, he had his 'Sex Pistols moment' when he came across the work of Romare Bearden. The African American's collaged, cut'n'paste artworks inspired the young musician to apply a similar technique to music – an approach that was hugely fruitful, and remains central to his work today. After stints as a drummer and guitarist throughout school and university, he moved to Paris where he picked up the turntables and began mixing his own music with samples from second hand records. Romare the musician was born and the template for his debut record.

Underground hothouse Black Acre signed him in 2012, adding him to a formidable roster that included Loops Haunt, Fantastic Mr Fox, Blue Daisy and Dark Sky. The imprint put out his first release 'Meditations on Afrocentrism' in March of that year. He began to play shows, making enough money to finance a move to London. Ensconced in the vast musical melting pot of the capital, he began work on his second EP 'Love Songs: Part One.' Romare's songs were included on compilations by heavyweights such as Bonobo and Tiga, as well as the Brownswood Recordings imprint.

His debut album, Projections, is named after a pivotal exhibition of his namesake and likewise explores various elements of American life. The album is in many ways a homage to the cycle of cultural appropriation in America. "Work Song" is a tribute to the classic American and namesake work song, whilst "Rainbow" is a celebration of disco. Projections expertly catalogues the movements of influence within music. The album doesn't just sample music and vocal snatches, but also other sources such as documentaries and marries live instrumentation with the sampling palette.

With fierce support from by the likes of Benji B, Gilles Peterson and Huw Stephens, Romare's music has, rightfully, already caused a stir. The stage is now set for his stunning debut album, Projections.
Venue Information:
Terminal 5
610 W 56th St
New York, NY, 10019
http://www.terminal5nyc.com/