The Darkness
The Dirty Pearls, Sweatheart
Sun, October 21, 2012
Doors: 7:00 pm / Show: 7:30 pm
Terminal 5
New York, NY
$30 advance / $35 day of show
Tickets
This event is all ages
http://www.terminal5nyc.com/event/150745/The Darkness

"England's the Darkness centered around irrepressible frontman Justin Hawkins (vocals/guitars/keyboards), who, along with his guitar-playing baby brother Dan, bassist Frankie Poullain, and drummer Ed Graham, single-handedly resurrected the rather unfashionable sounds and attitudes of late-'70s hard rock for an unsuspecting generation. Following the demise of an earlier, conspicuously synth pop-based outfit named Empire, the Hawkins brothers sowed the seeds of what would become the Darkness at an impromptu karaoke session on New Year's Eve 1999. Justin's rapturous rendition of Queen's "Bohemian Rhapsody" showed them the way, and the suitably dramatic name of the Darkness was chosen shortly after the arrival of Poullain and Graham.
With outrageous stage antics that included gaudy leotards stolen from Steven Tyler's wardrobe, leaps and splits borrowed from David Lee Roth, and an ear-piercing falsetto copped from Freddie Mercury himself, the multi-talented elder Hawkins led the quartet as the group spent the next two years slogging it out in London's pub circuit. Though they were immediately singled out as a joke by the notoriously vicious British press, the Darkness' high-energy sets, remarkably catchy material, and unapologetic worship of old-school rock & roll bombast gradually earned them a fanatical following based on simple word of mouth.
The tide finally began to shift in their favor in August 2002, when the Darkness released their debut EP I Believe in a Thing Called Love (through the independent label Must Destroy Music), won a major talent contest, and scored all-important opening slots with Deep Purple and Def Leppard. Their momentum carried through into the new year, starting with a knockout performance at Austin's SXSW music convention in January, continuing with the release of their "Keep Your Hands Off My Woman" single in February (peaking at number 36 in the U.K. chart), and climaxing in their subsequent signing of a major-label contract with Atlantic Records in March.
Nothing could stop the Darkness' snowball effect now, and a series of acclaimed festival appearances set the stage for their debut album, Permission to Land, to debut atop the British charts -- the first time a new act had achieved such a feat since Coldplay three years earlier. Aside from the 2003 Christmas single Christmas Time (Don't Let the Bells End), the Darkness concentrated on touring until 2005, when they returned to the studio with Cars and Foreigner producer Roy Thomas Baker. During the recording of their sophomore album, the band parted ways with Poullain and replaced him with former guitar tech Richie Edwards. One Way Ticket to Hell...and Back was released late in 2005 but didn't fare as well as its predecessor, which took a toll on Justin Hawkins. Following several months of touring, the frontman entered rehab in August 2006 for alcohol and cocaine abuse. Although he completed the program, Hawkins nevertheless left the Darkness' lineup later that year, leaving the group's fate in the hands of his former bandmates. The remaining musicians regrouped under the name Stone Gods the following year, while Justin busied himself with preparations for a solo album." - Eduardo Rivadavia, AllMusicGuide
With outrageous stage antics that included gaudy leotards stolen from Steven Tyler's wardrobe, leaps and splits borrowed from David Lee Roth, and an ear-piercing falsetto copped from Freddie Mercury himself, the multi-talented elder Hawkins led the quartet as the group spent the next two years slogging it out in London's pub circuit. Though they were immediately singled out as a joke by the notoriously vicious British press, the Darkness' high-energy sets, remarkably catchy material, and unapologetic worship of old-school rock & roll bombast gradually earned them a fanatical following based on simple word of mouth.
The tide finally began to shift in their favor in August 2002, when the Darkness released their debut EP I Believe in a Thing Called Love (through the independent label Must Destroy Music), won a major talent contest, and scored all-important opening slots with Deep Purple and Def Leppard. Their momentum carried through into the new year, starting with a knockout performance at Austin's SXSW music convention in January, continuing with the release of their "Keep Your Hands Off My Woman" single in February (peaking at number 36 in the U.K. chart), and climaxing in their subsequent signing of a major-label contract with Atlantic Records in March.
Nothing could stop the Darkness' snowball effect now, and a series of acclaimed festival appearances set the stage for their debut album, Permission to Land, to debut atop the British charts -- the first time a new act had achieved such a feat since Coldplay three years earlier. Aside from the 2003 Christmas single Christmas Time (Don't Let the Bells End), the Darkness concentrated on touring until 2005, when they returned to the studio with Cars and Foreigner producer Roy Thomas Baker. During the recording of their sophomore album, the band parted ways with Poullain and replaced him with former guitar tech Richie Edwards. One Way Ticket to Hell...and Back was released late in 2005 but didn't fare as well as its predecessor, which took a toll on Justin Hawkins. Following several months of touring, the frontman entered rehab in August 2006 for alcohol and cocaine abuse. Although he completed the program, Hawkins nevertheless left the Darkness' lineup later that year, leaving the group's fate in the hands of his former bandmates. The remaining musicians regrouped under the name Stone Gods the following year, while Justin busied himself with preparations for a solo album." - Eduardo Rivadavia, AllMusicGuide
The Dirty Pearls

Brand new but already a classic, The Dirty Pearls come straight from Rivington Street in the Lower East Side of New York City. All sex, drugs and rock & roll bravado delivered with sharp hooks, witty lyrics and a seedy swagger reminiscent of the finest 1970’s-era rock acts.
The band’s history begins with lead singer Tommy London, who set out in search of four fine young men eager to stir up some
NYC-style rock ’n' roll; four guys intent on resurrecting the magic
conjured by The Ramones and The New York Dolls. Guitarist Tommy Mokas and drummer Marty E. arrived first, followed soon after by guitarist Sunny Climbs and bassist Doug Wright. And The Dirty Pearls were born.
Their high-energy live shows will make your heart pound and your feet stomp and if you don't leave singing a Dirty Pearls song, then you were never really there at all.
Rock ’n’ roll has returned...now wipe that smile off your face
The band’s history begins with lead singer Tommy London, who set out in search of four fine young men eager to stir up some
NYC-style rock ’n' roll; four guys intent on resurrecting the magic
conjured by The Ramones and The New York Dolls. Guitarist Tommy Mokas and drummer Marty E. arrived first, followed soon after by guitarist Sunny Climbs and bassist Doug Wright. And The Dirty Pearls were born.
Their high-energy live shows will make your heart pound and your feet stomp and if you don't leave singing a Dirty Pearls song, then you were never really there at all.
Rock ’n’ roll has returned...now wipe that smile off your face
Sweatheart

SWEATHEART-- file under Approachable Stadium Pop, Man Jams (with Women) or Community College Rock. No wait, 80's Screwball Comedy Soundtrack Rock...from Philadelphia.
From the humble times of 2004, a guitar, three drug rugs and three best friends crashed an art opening and suddenly knew they were quite good at it. Later came a drum machine, then a full band of minors, Amanda Blank, a few costume changes, and a smoking live set.
After spending the last five years cultivating their sound and sharing the stage with bands like Devo, Ween, Santigold and Bad Brains, Sweatheart has produced their new record, "Tell Your Sister". Sweatheart's follow up to 2005's debut "So Cherri", offers a new version of the band, with a thicker and richer sound, laced with honesty and tenderness.
"If Sparks, The Bangles, & Blue Oyster Cult made a smoothie, it might smell a little like Sweatheart." - Naeem Juwan (Spank Rock)
From the humble times of 2004, a guitar, three drug rugs and three best friends crashed an art opening and suddenly knew they were quite good at it. Later came a drum machine, then a full band of minors, Amanda Blank, a few costume changes, and a smoking live set.
After spending the last five years cultivating their sound and sharing the stage with bands like Devo, Ween, Santigold and Bad Brains, Sweatheart has produced their new record, "Tell Your Sister". Sweatheart's follow up to 2005's debut "So Cherri", offers a new version of the band, with a thicker and richer sound, laced with honesty and tenderness.
"If Sparks, The Bangles, & Blue Oyster Cult made a smoothie, it might smell a little like Sweatheart." - Naeem Juwan (Spank Rock)





