Silversun Pickups

Silversun Pickups

Cloud Nothings, Atlas Genius

Sun, October 14, 2012

Doors: 7:00 pm / Show: 8:00 pm

Terminal 5

New York, NY

$35 advance / $40 day of show

This event is all ages


Download free tour EP here!

Silversun Pickups
Silversun Pickups
It’s no secret that Silversun Pickups score the soundtrack for the cacophony and quiet of the urban environment. Their songs curl like a sleeping dragon around the foothills, soar between the skyscrapers, and slouch in the shadows of forbidden offramps and skid row.

Now, three years after their second record, Silversun Pickups are currently in Topanga, CA, working on their highly anticipated new record with producer Jacknife Lee (U2, Weezer, REM, Snow Patrol). The record will be released in the summer of 2012 on the band’s longtime home, Dangerbird Records.

Silversun Pickups have sold over 1 million records worldwide. Their first EP, Pikul, was released in 2005. While it hinted at great things to come, no one was quite prepared for the explosion of the band’s debut LP, Carnavas. Released in 2006, the record peaked at #81 on the Billboard Top 200 and was the #1 Alternative and Independent record for four consecutive weeks. The fantastic single, “Lazy Eye,” peaked at #4 at Modern Rock. In 2009, SSPU followed up with the equally powerful Swoon. That record debuted at #7 on the Billboard Top 200 and was in that chart for over 22 weeks on the strength of the #1 Modern Rock smash, “Panic Switch.” On November 25, 2011, they released the limited edition Seasick 10” to support independent retail.

Silversun Pickups came of age in Los Angeles’ multicultural, bohemian enclave, Silver Lake, where the members learned to overcome their fears through playing in the organic network of clubs and bars that birthed Beck and Elliott Smith.

“When we were starting out, we were too shy to turn up the volume. Now we’re not afraid to get loud,” Aubert says. “I used to be nervous to go to the mic, now I swallow it.”

As Carnavas snowballed into an avalanche of critical praise, landed them on the Billboard charts and gained recognition from nose-turning indie rockers and mainstream pop lovers alike, frontman Aubert slowly realized that Silversun Pickups’ musical landscape was changing too. “We were landing on charts in countries I’d never been too, like Chile and all over South America. Things were changing fast.”

After two-plus years of touring, the band returned home to a different place than they had left. “It was a dark time when we got back. We had to water the relationships that we had neglected over those two years, and I think this darkness came out on our second record,” Aubert says.

More news on the new record will be revealed soon.
Cloud Nothings
Cloud Nothings
On their third full-length, Cleveland-bred outfit Cloud Nothings give joy a hard, sharp edge. “I was feeling pretty good about everything so I just made stuff that made me happy,” says founding member and mild-mannered chief songwriter Dylan Baldi of Here and Nowhere Else. “I had nothing to be angry about really so the approach was more positive and less ‘fuck everything.’ I just sat down and played until I found something that I like, because I was finally in a position to do that.”

Utilizing every possible opportunity to write while on the road for 18 consecutive months following the release of 2012′s Attack on Memory, Baldi presented an album’s worth of new material to his bandmates with just days before they’d enter the studio with esteemed producer John Congleton. “I’m pretty sure every song was written in a different country,” he says. “It’s the product of only having a couple of minutes here and there.” But Cloud Nothings would enjoy a full week with Congleton at Water Music in Hoboken, New Jersey, followed by three days of mixing at his own studio in Dallas shortly thereafter. The result is Cloud Nothings, refined: impossibly melodic, white-knuckle noise-rock that shimmers with sumptuous detail, from Baldi’s lone, corkscrewing guitar to his dramatically improved singing to bassist TJ Duke’s piledriving bass lines and drummer Jayson Gerycz’s volcanic fills.

“It’s more subtle,” says Baldi. “It’s not just an in-your-face rock record. There’s more going on. You can listen to a song 20 times and still hear different little things in there that you didn’t notice before. Every time I listen I notice something that I didn’t even realize we did.”

It’s yet another staggering show of a progress from a songwriter and band still coming into their own.
Atlas Genius
Atlas Genius
In November 2009, the members of Adelaide, Australia's Atlas Genius set about building a studio where they could write and record music for their newly formed band. For two years, brothers Keith, Steven, and Michael Jeffery devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. "We really got down and dirty with drywalling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs," recalls Keith, Atlas Genius's vocalist/guitarist. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called "Trojans," which they wrote, recorded and produced in collaboration with their friend Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, "Trojans" was on SoundCloud for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

Quickly named an iTunes Single of the Week in Australia and New Zealand, "Trojans" reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio's Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, "Trojans" was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. "Trojans" began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 40,000 sales -- all with zero promotional efforts from the still-unsigned Atlas Genius.
Venue Information:
Terminal 5
610 W 56th St
New York, NY, 10019
http://www.terminal5nyc.com/