The Vaccines

The Vaccines

DIIV, San Cisco

Thu, January 31, 2013

Doors: 7:00 pm / Show: 8:00 pm

Terminal 5

New York, NY

This event is all ages

The Vaccines
The Vaccines
What Did You Expect From The Vaccines? is the debut album from The Vaccines. Eleven songs, eleven tones of excitement recorded "quickly and painlessly" in just under a month in London late last year at the hands of producer Dan Grech.

It's a record that favours 'the song' over all other disciplines. It's best articulated in one of the record's shortest (and most dizzy) tunes, If You Wanna.

"That song was the turning point," explains Justin Young, lead singer of The Vaccines. "It crystallized what we were and where we were going. What followed was a process of shaving the songs down to their very essence".

If You Wanna cuts through with a sharp simplicity, so much so that the demo version the band put online in the summer of 2010 was rapidly noticed. It was a starting point for the band -- Freddie Cowan (guitar), Arni Arnason (bass) and Pete Robertson (drums) who, alongside Justin finally kick-started The Vaccines in the spring of 2010 after a fair few months of rehearsals honing their sound.

"We never set out with any sort of mission statement, but when we first started playing we quickly realised that through our shared love of the 'perfect pop song' there was a real bond, we all felt really invigorated and excited by the music we were making," says Justin. "If there was ever any quest, it was to create direct pop music with depth and emotion, the sort of stuff that the Moderns Lovers, The Velvet Underground and The Clash made sound so easy."

"A lot of the arrangements were much more complicated when the songs were conceived," adds Justin. "But we got to a point where we were confident to just strip everything away. Being that direct seemed to carry so much more emotion."

As Justin says: "some of The Vaccines songs sound simple, but making them sound like that is one of the most difficult things of all to do."

Consider the minute and half squeal of Nørgaard or debut single '
Wreckin Bar (Ra Ra Ra), songs that perfectly showcase the kick-and-rush-riffarama of The Vaccines' default setting. They're much like modern lullabies, songs that wiggle their way into your consciousness and won't let go.

Or the stuttering Wolf Pack or the bubblegum romance of Under Your Thumb; confident, headstrong songs that are testament to the young songwriter's almost veteran status having written his first song aged eleven ("about girls and stuff, things I didn't really understand") and spent his teenage years in a variety of bands.

Yet The Vaccines debut isn't just Ramones punch and Jesus and Mary Chain swagger. Blow It Up is all woozy eyed atmospherics, evocative on record as it was at its first London outing last October, at the bands Flowerpot show in London. Then there's Wetsuit, more modern hymn than pop song, Freddie's guitar coaxing rich colour out of the skeletal verse and big, brave choruses. "I'm always been more into sound than songs," says the guitarist, younger brother of The Horrors' Tom. "That's what I bring to the band -- texture".

"My favourite song on the record is Family Friend" says Arni of the record's closing opus (in that at five, it's a rare venture over the three minute mark). "I think it wraps the record up nicely, Justin's lyrics are beautiful, but it ends the record on a question mark. Sort of like, this is what we do... but this is what we might do next."

"I want people to love the record like we do," says Justin of this band's debut, "but I want them to be as excited as I am about where The Vaccines go next too. I want them to join here and let us take them somewhere else. I'm excited about the next lot of songs I know I've got in me. I'm excited about what comes next."

What did you expect from The Vaccines? Excitement, thrills, melody, power, romance? You'll find all contained within their debut. Yet perhaps the most exciting thing is that its contents signpost the next dose you can expect next from its creators. Much like their name, 'What Did You Expect Of The Vaccines' is a statement of intent, that much is for sure...
DIIV
DIIV
DIIV is the nom-de-plume of Z. Cole Smith, musical provocateur and front-man of an atmospheric and autumnally-charged new Brooklyn four-piece.
Recently inked to the uber-reliable Captured Tracks imprint, DIIV created instant vibrations in the blog-world with their impressionistic debut Sometime; finding it’s way onto the esteemed pages of Pitchfork and Altered Zones a mere matter of weeks after the group’s formation.
Enlisting the aid of NYC indie-scene-luminary, Devin Ruben Perez, former Smith Westerns drummer Colby Hewitt, and Mr. Smith’s childhood friend Andrew Bailey, DIVE craft a sound that is at once familial and frost-bitten. Indebted to classic kraut, dreamy Creation-records psychedelia, and the primitive-crunch of late-80’s Seattle, the band walk a divisive yet perfectly fused patch of classic-underground influence.
One part THC and two parts MDMA; the first offering from DIIV chemically fuses the reminiscent with the half-remembered building a musical world out of old-air and new breeze. These are songs that remind us of love in all it’s earthly perfections and perversions.
A lot of DIIV’s magnetism was birthed in the process Mr. Smith went through to discover these initial compositions. After returning from a US tour with Beach Fossils, Cole made a bold creative choice, settling into the window-facing corner of a painter’s studio in Bushwick, sans running water, holing up to craft his music.
In this AC-less wooden room, throughout the thick of the summer, Cole surrounded himself with cassettes and LP’s, the likes of Lucinda Williams, Arthur Russell, Faust, Nirvana, and Jandek; writings of N. Scott Momaday, James Welsh, Hart Crane, Marianne Moore, and James Baldwin; and dreams of aliens, affection, spirits, and the distant natural world (as he imagined it from his window facing the Morgan L train).
The resulting music is as cavernous as it is enveloping, asking you to get lost in it’s tangles in an era that demands your attention be focused into 140 characters.
“Sometime” hit stores on October 11th with a second single to follow November 29, culminating in an early March EP release.
San Cisco
San Cisco
You hear the distinct vibration of your mobile phone. A text message from a new crush. Do you text back? Do you wait? Is it stalking or does it just show that you're keen? Everyone has been there, taking those first steps in a new relationship. It's, well, awkward.

For San Cisco, there has been very little waiting around. The four-piece have followed their own path since emerging from Fremantle, Western Australia, a few years ago. From humble beginnings of weekend jams to being nominated for a 2011 Unearthed J Award and landing themselves at #7 in triple j's Hottest 100 countdown the band have a natural chemistry, growing organically into their own mold to create their sophomore EP, "Awkward."

Lead single 'Awkward' is an unmistakable pop gem featuring the vocal talents of both Jordi Davieson and drummer, Scarlett Stevens. Penned in the studio one afternoon, the song was voted in to the top 10 of triple j's Hottest 100 and scored almost 1,000,000 plays on youtube.

Following on from their success of their debut EP, "Golden Revolver," San Cisco returned to the recording studio with Steven Schram (Little Red, Little Birdy and Cat Empire) in Melbourne to delve further into the songs they had perfected on stage and in the backyard shed. The finished product is their sophomore EP, "Awkward" featuring five tracks of indie pop goodness, showcasing Jordi's turn of phrase and Josh Biondillo's varied influences in his music writing. In its entirety it is an eclectic mix of indie pop with dashes of rock and slashes of synth. Each member of the band brings a different influence to the table from their diverse and eclectic palate of indie, rap, hip-hop and jazz.

Schoolmates Josh and Jordi bonded over their love for skateboarding and the water, but what brought them together was their passion for music. While Josh is the music man coming to the table with the arrangement and melody, Jordi will talk over the top delivering a slew of words that grows into his in-depth lyrics fantasizing about the world. Add fellow schoolmates, bassist Nick Gardner and Scarlett Stevens on drums and San Cisco came to fruition.

The five-track EP is a statement of intent for a band on the cusp of something big. The energetic and upbeat 'Rocket Ship' plays out Jordi's dreams about leaving everything behind that you know and trust to uncover and discover what may become.

The irresistible 'Lover' shows off their buoyant and bright song-writing with each verse following the progression of a relationship. A rousing cover of the Arctic Monkey's '505' adds a new dimension to the EP, played out like a science experiment between Schram and the band one afternoon in the studio. Taking the tempo a little more downbeat is the closing and emotively powerful song, 'Reckless', true to its lyrical content that "Reckless is fun when you are not the one that gets hurt."

Penning tunes for some time, as well as amassing an assortment of instruments, band mates Josh and Nick have accumulated numerous instruments that they repair, rebuild and add to their collection. The intricacies of these instruments that they repair and play become more a part of their knowledge and growth as musicians, experimenting with new sounds.

Having already graced the stages of Big Day Out, Laneway, Fuse Festival and Big Sound as well as a selling out their first national tour. San Cisco are heard on airwaves around the world gaining airplay on triple j, community radio in Australia, London's XFM station, college radio across the USA and Flux FM in Germany. San Cisco have set themselves apart from their counterparts with the depth of their song-writing and their bright catchy hooks.

With all this in place, it is little wonder that San Cisco already have some stalkers of their own. The "Awkward" EP out now through San Cisco's own record label Island City Records independently through MGM.
Venue Information:
Terminal 5
610 W 56th St
New York, NY, 10019
http://www.terminal5nyc.com/