The Lumineers

The Lumineers

Y La Bamba

Sat, February 2, 2013

Doors: 7:00 pm / Show: 8:00 pm

Terminal 5

New York, NY

$30 advance / $35 day of show

Sold Out

This event is all ages

The Lumineers
The Lumineers
Twenty years ago, Wesley Schultz saw the future.

Back then, growing up in the New York City suburb of Ramsey, New Jersey, Wesley spent his days drawing side by side with his best friend, Josh Fraites. Today, as bandleader of The Lumineers, Wesley’s replaced his pencil with a guitar, his drawings with songs, and plays side by side with Joshua’s younger brother Jeremiah. He still practices a lot, and it still turns out good.

But The Lumineers’ story didn’t come so easily.
It begins in 2002, the year Jeremiah’s brother, Josh, died from a drug overdose at 19. Amidst the loss and grief, Wes and Jer found solace in music, writing songs and playing gigs around New York. After battling the city’s cutthroat music scene and impossibly high cost of living, the two decided to expand their horizons. They packed everything they owned—nothing more than a couple suitcases of clothes and a trailer full of musical instruments—and headed for Denver, Colorado. It was less a pilgrimage than act of stubborn hopefulness.

The first thing they did in Denver was place a Craigslist ad for a cellist, and the first person to respond was Neyla Pekarek, a classically trained Denver native. As a trio, they began playing at the Meadowlark, a gritty basement club where the city’s most talented songwriters gathered every Tuesday for an open mic and dollar PBRs. Neyla softened Wes and Jer’s rough edges while expanding her skills to mandolin and piano. And so The Lumineers sound took shape; an amalgam of heart-swelling stomp-and-clap acoustic rock, classic pop, and front-porch folk.
In 2011, an eponymous, self-recorded EP led to a self-booked tour, and before long The Lumineers started attracting devout fans, first across the Western US, then back in their old East Coast stamping grounds. Young, old and in-between, they’re drawn by songs like “Ho Hey” and “Stubborn Love,” Americana-inflected barnburners in the vein of the Avett Brothers and Mumford & Sons. They’re drawn by songs like “Slow it Down” and “Dead Sea,” slow, sultry ballads that suggest the raw revelations of Jeff Buckley and Ryan Adams. They’re drawn by the live Lumineers experience—a coming-together in musical solidarity against isolation, adversity, and despair.

The roots revival of the last few years has primed listeners for a new generation of rustic, heart-on-the-sleeve music—the kind that nods to tradition while setting off into uncharted territory. The Lumineers walk that line with an unerring gift for timeless melodies and soul-stirring lyrics. It will all be on display soon, on the band’s first full-length album, due in March.

Born out of sorrow, powered by passion, ripened by hard work, The Lumineers have found their sound when the world needs it most.
Y La Bamba
Y La Bamba
"Doing Portland Proud: Y La Bamba." - Billboard

"Y La Bamba makes fractured folk that sounds as if it comes from dog-eared diaries. The author is statuesque Luz Elena, the daughter of Mexican immigrants, whose vintage vocals seem to come from the 78-rpm era." - Buzzbands LA

"...mixes Devendra Banhart-influenced art-folk with hazy femme vocals and traditional Mexican sounds to weirdly entrancing effect." - LA Weekly

"The band continues to build up steam, maintaining its core strength in the voice and posturing of Mendoza. Her vocal lines swim out from a haze of guitars and dreamy percussion, often looping back into a cacophony that is eerie in effect but still somehow comforting, like the song that comes floating through in a fairy tale when the children are lost in the woods and just about to despair." - Portland Mercury
Venue Information:
Terminal 5
610 W 56th St
New York, NY, 10019
http://www.terminal5nyc.com/