Cat Power

Cat Power

Angel Haze, SISU

Tue, January 29, 2013

Doors: 7:00 pm / Show: 8:00 pm

Terminal 5

New York, NY

$29.50 advance / $35 day of show

This event is all ages

Cat Power
Cat Power
SUN is the new studio album from Cat Power. Six years after her last album of original material, Chan Marshall has moved on from her collaborative forays into Memphis soul and Delta blues. She wrote, played, recorded and produced the entirety of SUN by herself, a statement of complete control that is echoed in the songs’ themes.

Marshall calls SUN “a rebirth,” which is exactly what this confident, ambitious, charismatic record feels like. “Moon Pix was about extreme isolation and survival in the crazy struggle,” she says. “SUN is don’t look back, pick up, and go confidently into your own future, to personal power and fulfillment.”

The music on SUN employs a sweeping stylistic palette: There’s the classic Cat Power haunting guitar and provocative vocal hook in “Cherokee” (“marry me to the sky…bury me upside down”); the irresistible Latinsounding nine-piano loop of “Ruin”; upbeat, almost dancey electronic anthems like “Real Life” and “3,6,9”; and the stirring, 8-minute epic “Nothin But Time,” featuring a vocal cameo by Iggy Pop. The swagger of “Silent Machine” brings to mind mid-70s Jagger, contrasted with the unusual, sparse production of “Always on My Own.” The narrative arc of the record is deeply American in its spaciousness and optimism; the music is defiantly modern and global.

Though devoid of grave bedroom confessionals, SUN is possibly Cat Power’s most personal album to date. For all its layered expansiveness, it is as handcrafted as her debut, and never has a Cat Power album so paralleled her personality and state of mind – channeling her humor, anger, deep empathy, musical inspirations, technical skill, and spiritual inquiry into an album that’s both surprising and comforting.

Those versed in the Cat Power discography will detect elements of 2003’s landmark album You Are Free, which experimented with vocal forms and beats borrowed from urban music, and the spellbinding authority of songs like “American Flag.” Sonically, however, with credit to mixer Philippe Zdar (Phoenix, Chromeo, Beasties), SUN is incredibly fresh, reflecting its forward-looking mindset.

Lyrically, Marshall has transcended the angst and self-absorption of her young self, but is still inspired by youth; much of the album is a plea for overcoming societal expectation and individual oppression. “Human Being” puts faint minor-chord fingerpicking over spooky, repetitive bass, with lyrics that could read as feminist – “you got a right to scream when they don’t want you to speak” – but are for anyone who feels they don’t have a voice. “Peace And Love” opens with a Nina Simone line – “peace and love is a famous generation” – then cites Black Flag, flips off people who dismissed her teenage idealism, and proudly concludes, “I’m a lover but I’m in it to win.” Similarly, “Nothin But Time” implores kids to look past today: “You’re just trying to get by, but your world is just beginning…it’s up to you to be a superhero, it’s up to
you to be like nobody”.

SUN was recorded over the past three years in Malibu (in a studio she built herself), Silver Lake (in the Dust Brothers’ studio The Boat), Miami (South Beach Studios), and Paris (Motorbass), where she mixed with Zdar in spring 2012.
Cat Power is touring the world with a new band beginning in Fall 2012.
Angel Haze
Angel Haze
Born in July 1991, Angel is a newcomer to the hip hop scene. Yet in two short years she's been able to turn a childhood hobby of writing poems into a full fledged career. Angel has made been making waves in hip hop since 2009 and her biggest splash came most recently when she was signed to Universal Music Group, becoming their newest artist to date.
She’s been featured on several music blogs and websites, such as: Pitchfork, Complex.com, XXL.com, DJBooth.net, MTVIggy.com, TheSource.com, Hot97, UrbanSteez.com Unsigned Hype, HotNewHipHop.com, Pound Magazine, and a feature for TheFader.com. In a short period of time, she already has thousands of fans following her career and continues to build her buzz online. Her songs have presently surpassed the 100,000 mark in downloads, and have over 1,000,000 views on YouTube.
Angel Haze is as confident as she is shy, and as proud as she is humble. Like many, her music provides a breath of fresh air for those who have an appreciation for music with genuine substance.
When asked her goal as a musician, she confidently replies, “I want to make people feel connected. I want to tell a story – everybody’s story”
SISU
SISU
SISU is Sandra Vu. The LA-based singer/multi-instrumentalist layers airy, harmony-laden vocals over dreamy synthwave, which has been described as “Smithsian shoegaze” (Village Voice) and “Nightmarish Beach House” (Santa Barbara Independent). Though she’s a seasoned drummer (Dum Dum Girls, The Raveonettes, Boredoms, Dirty Beaches), she’s stepped out from behind the kit to center stage for SISU, opening on tour dates for Cat Power, Marnie Stern, DIIV, and Metronomy.

"Blood Tears", SISU’s first full-length album (due September 2013), builds on the recently released "Light Eyes" EP (April 2013), offering a bigger sound and a heightened sense of drama. As Vu explains, “These are pop songs with un-pop sounds.” SISU is defined by contrast and juxtaposition, and Vu finds a particular challenge and joy in combining opposites—soft and hard, loud and quiet, abrasive and smooth—to arrive at this aesthetic.

Writing songs for the album was catharsis for Vu, who used the process to overcome a period of disillusionment in between bands. “Blood Tears" is about relationships and the creative process—the necessity of pain for growth or creation,” she says. “Sometimes you have to kill a part of yourself to become stronger.” The new single “Harpoons” is a declaration of this power and independence found in divorcing yourself from the past. Both aggressive and sublime, it’s quintessential SISU. From this experience, Vu found her voice, naming it SISU, the Finnish word for “extreme perseverance.”

"Blood Tears" is the second release under the MONO PRISM umbrella—a collective of artists and springboard for music, film, and print projects. David South, SISU’s touring bassist, heads MONO PRISM, directed SISU’s first music video, “Two Thousand Hands,” and creates the band’s live visuals. It was these immersive audiovisual experiences that caught Cat Power’s attention, which lead to SISU supporting her on numerous dates earlier this year.

Vu wrote, played, and produced "Blood Tears" with bandmates Ryan Wood (co-producer), Nathanael Keefer (drums), and Lars Stalfors (Chelsea Wolfe, The Soft Pack, The Mars Volta) mixed the album. Julianna Medeiros (Dum Dum Girls) joins SISU live on synth and backup vocals.
Venue Information:
Terminal 5
610 W 56th St
New York, NY, 10019
http://www.terminal5nyc.com/