Chromeo
Mayer Hawthorne & The County, Breakbot
Fri, November 4, 2011
Doors: 7:00 pm / Show: 8:00 pm
Terminal 5
New York, NY
$30 advance / $35 day of show
Sold Out
This event is all ages
http://www.terminal5nyc.com/event/58075/Chromeo

Imagine, if you will, a yacht. It's forged of gold and strong African teak, bobbing gently at anchor somewhere between the French Riviera and Detroit. A statue of the late Roger Troutman is affixed to the stern like a guardian angel. The ladies of Klymaxx wander the decks serving strawberries and cream on silver platters. Sylvester himself is the skipper, and Hall & Oates are down below, keeping the engines in shipshape. This is the S.S. Chromeo, and the two men who create the smoothest of music under the same moniker are at rest aboard, preparing for another global voyage of lovers' funk ambassadorship.
Here we have Dave 1, the suave professor, the voice and intellect, enjoying a rosé as he ponders French literature. And with him we have the one and only P-Thugg, the brawn and the body, sipping on the ghetto cocktail known as Thug Passion and proudly going through his mental rolodex of jeep beats and funky flourishes.
The men of Chromeo released Business Casual, which is their third full-length album and a testament to the growth and further sophistication the band has undergone over the many years they've been collaborating. After their sophomore release, Fancy Footwork, pushed them into the stratosphere of party-rocking, club-banging, and heart-thrilling electrofunk, we might consider Business Casual their postgraduate work. Where does a group go after mastering their craft? Do they rest on their laurels? Do they retreat into self-parody? Neighbor, please. Chromeo, in 2010, have pushed forward into yet newer levels of song craft and body moving music that is respectfully indebted to its noble inspirations while still being fully contemporary. Are there lush string arrangements on "Don't Walk Away"? Do we have Moroder-esque analog synth layers draped all over "Don't Turn The Lights On"? Is there a fully authentic French ballad (don't forget, Dave and P are of the Québécois persuasion and will never abandon those roots) in "J'ai Claqué la porte"? Well yes, actually, to all of the above.
But what's this we have here? The flip side of Chromeo, the emotional gangster tracks, are still here on Business Casual, represented by titles such as "Hot Mess," "I'm Not Contagious," and "You Make It Rough." And, newly added to the roster, we have the straight-up pop, vanilla in the best sense (creamy and smooth), of "The Right Type," a get-up-and-go tune in the greatest 80s tradition, and the album closer, "Grow Up," which almost sounds like golden era Billy Joel backed up by Cameo. How real is that?
Lyrically, Dave continues to mine the rich vein of affairs of the heart. Is there really any other topic that Chromeo needs to cover? Arrogant ladies, dancefloor seduction, boudoir skills, love gone wrong, and knights in shining armor… Chromeo does all this and more with their trademark Franco-insouciance-that-borders-on-coolness and their always sexy worldliness (pause).
In these uncertain times of financial upheaval and musical mediocrity, Chromeo's Business Casual is a testament to the fact that inspirational funk shall always prevail. Vive le Chromeo!
Here we have Dave 1, the suave professor, the voice and intellect, enjoying a rosé as he ponders French literature. And with him we have the one and only P-Thugg, the brawn and the body, sipping on the ghetto cocktail known as Thug Passion and proudly going through his mental rolodex of jeep beats and funky flourishes.
The men of Chromeo released Business Casual, which is their third full-length album and a testament to the growth and further sophistication the band has undergone over the many years they've been collaborating. After their sophomore release, Fancy Footwork, pushed them into the stratosphere of party-rocking, club-banging, and heart-thrilling electrofunk, we might consider Business Casual their postgraduate work. Where does a group go after mastering their craft? Do they rest on their laurels? Do they retreat into self-parody? Neighbor, please. Chromeo, in 2010, have pushed forward into yet newer levels of song craft and body moving music that is respectfully indebted to its noble inspirations while still being fully contemporary. Are there lush string arrangements on "Don't Walk Away"? Do we have Moroder-esque analog synth layers draped all over "Don't Turn The Lights On"? Is there a fully authentic French ballad (don't forget, Dave and P are of the Québécois persuasion and will never abandon those roots) in "J'ai Claqué la porte"? Well yes, actually, to all of the above.
But what's this we have here? The flip side of Chromeo, the emotional gangster tracks, are still here on Business Casual, represented by titles such as "Hot Mess," "I'm Not Contagious," and "You Make It Rough." And, newly added to the roster, we have the straight-up pop, vanilla in the best sense (creamy and smooth), of "The Right Type," a get-up-and-go tune in the greatest 80s tradition, and the album closer, "Grow Up," which almost sounds like golden era Billy Joel backed up by Cameo. How real is that?
Lyrically, Dave continues to mine the rich vein of affairs of the heart. Is there really any other topic that Chromeo needs to cover? Arrogant ladies, dancefloor seduction, boudoir skills, love gone wrong, and knights in shining armor… Chromeo does all this and more with their trademark Franco-insouciance-that-borders-on-coolness and their always sexy worldliness (pause).
In these uncertain times of financial upheaval and musical mediocrity, Chromeo's Business Casual is a testament to the fact that inspirational funk shall always prevail. Vive le Chromeo!
Mayer Hawthorne & The County

Mayer Hawthorne grew up in Ann Arbor, Michigan, just outside of Detroit, and vividly remembers, as a child, driving with his father and tuning the car radio in to the rich soul and jazz history the region provided. “Most of the best music ever made came out of Detroit,” claims the singer, producer, and multi-instrumentalist, who counts Isaac Hayes, Leroy Hutson, Mike Terry, and Barry White among his influences, but draws the most inspiration from the music of Smokey Robinson, Curtis Mayfield, and the legendary songwriting and production trio of Lamont Dozier, Brian Holland, and Eddie Holland Jr. ~ Ronnie Reese (Wax Poetics / Rollingstone.com)
Breakbot

Emerging electro wunderkid Breakbot crafts party tunes. Big ones.
Following in the footsteps of French electro duo Justice, Parisian Thibaut Berland aka Breakbot has mastered the art of melting together all the best elements of dance, electro and hip hop with skill and precision. And a laptop.
Born in 1981, Thibaut was immersed in the sights and sounds of the subsequent decade, and remained appropriately pulled between his love of animation graphics/comics, and music. He chose neither one clear
path, nor another. Possessing a degree in computer graphics, and having created his first animation short film co-directed with two friends, Thibaut now makes music videos, commercials and such. By day. By night however, he cooks up choice cut electronic music, experimenting with beats, layers, keyboards, vocals, and Daft Punk-esque get-yo-funk-on basslines.
Following in the footsteps of French electro duo Justice, Parisian Thibaut Berland aka Breakbot has mastered the art of melting together all the best elements of dance, electro and hip hop with skill and precision. And a laptop.
Born in 1981, Thibaut was immersed in the sights and sounds of the subsequent decade, and remained appropriately pulled between his love of animation graphics/comics, and music. He chose neither one clear
path, nor another. Possessing a degree in computer graphics, and having created his first animation short film co-directed with two friends, Thibaut now makes music videos, commercials and such. By day. By night however, he cooks up choice cut electronic music, experimenting with beats, layers, keyboards, vocals, and Daft Punk-esque get-yo-funk-on basslines.



