Neon Indian

Neon Indian

Ducktails, Lemonade

Sat, May 12, 2012

Doors: 8:00 pm / Show: 9:00 pm

Terminal 5

New York, NY

$25 advance / $30 day of show

This event is all ages

Neon Indian
Neon Indian
Neon Indian (aka Alan Palomo) has announced the long awaited follow up to 2011’s Era Extraña and this year’s standalone single “Annie.” Slated for release via Mom + Pop on October 16, VEGA INTL. Night School was conceived during a period of aesthetic reinvention for Palomo, as he retooled the lo-fi and spontaneous writing style he’d developed as Neon Indian by incorporating elements of the cleaner production values and dance oriented approach of his previous recording moniker VEGA, ultimately merging the two into one fast lane. Developed over a four year period, the album brims with funk-centric guitar lines, pronounced Balearic rhythms, and the most elaborate songwriting of his career.

Composed and recorded in a variety of locations including, but not limited to, the cabin aboard a cruise ship, DFA’s Plantain Studios in New York, Pure X’s practice space in Austin, Ben Allen’s studio in Atlanta, and mixed in Brooklyn with Alex Epton (XXXchange). Upon its completion, Alan noted “most of what I’ve learned about human nature in my twenties has happened after dark. People are just kind of more honest then. More deliberate. I like to call the places I go to Night Schools.”

The new album single “Slumlord” arrives alongside an inventive relaunch of his website as Nightschool.biz The site features an hotline (+1-512-643-VEGA) to receive and send audio of the song and a special voice greeting about the album, in addition to newly announced US tour dates and an album-preorder that comes with instant grat tracks “Annie” and “Slumlord.”
Ducktails
Ducktails
Ducktails, the increasingly less “solo” endeavor of Matt Mondanile, is set to release The Flower Lane, which is the project’s fourth album and his first for Domino. Recorded and mixed over the summer of 2012 with Al Carlson (Peaking Lights, Oneohtrix Point Never) as Mondanile’s hectic schedule as a concurrent member of Real Estate began to wind down after a year in support of their Domino debut album, Days, the ten track album will hit the streets on January 29th to be preceded by the single release of effervescent pop gem “Letter of Intent.”

Taking a tangential turn away from solo home-recording of past releases toward the more collaborative environment of the studio, Ducktails’ Matt Mondanile roped in close friends and colleagues to make something more adventurous yet easy-going. The ten songs on The Flower Lane move across a range of expressive pop songs that are bright and expansive, but venture even further with forays into saxophone leads, synth lines and piano accompaniment that would have been at home on the early records of sophisticated guitar pop icons such as Aztec Camera and Prefab Sprout.

With brooding seducers “Under Cover,” “The Flower Lane,” and “Sedan Magic” along with a stunning cover of founding Clean/Chills member Peter Gutteridge’s “Planet Phrom,” the ambient pop of The Flower Lane is, from start to finish, as spirited as the time these folks had recording it. Support came in many forms, from the backing of the New Jersey band Big Troubles to contributions from Daniel Lopatin (Oneohtrix Point Never), Joel Ford (Ford + Lopatin), Madeline Follin (Cults) and Sam Mehran (Outer Limitz), to name a few, The Flower Lane defies the cliche of “embracing the big studio” by successfully making the songs feel immediate on an emotional level after they’ve passed through the dozen other wizardly minds of the studio collaboration while still conveying the fun they had working together.

One of the standouts on The Flower Lane is the duet between Future Shuttle’s Jessa Farkas and Big Trouble’s Ian Drennan on “Letter of Intent.” As with Felt’s “Primitive Painters,” where the contrasting voices of Lawrence Hayward and Cocteau Twin Elizabeth Fraser exchange pained verses or with Tom Petty’s seductively plodding collaboration with former Eurythmic Dave Stewart on his synth-driven hit “Don’t Come Around Here No More,” “Letter Of Intent” is proof of the expanding range of Ducktails’ song craft
Lemonade
Lemonade
True Panther Sounds is very pleased to announce the forthcoming release of Diver the 2nd album by Lemonade available worldwide on May 29th. Diver is a sensual, bold electronic record, swimming ecstatically in the melodies of early 90?s R&B, UK 2-step Garage, Balearic house and NY freestyle. The trio, Callan Clendenin (vocals), Ben Steidel (synths, bass) and Alex Pasternak (drums, programming) recorded the album over the course of several years, at home in New York, on tour in Brazil between shows, or in their practice space in the basement of an old Catholic school. Ultimately, the album came to life when the band recruited producer Le Chev (Frankie Rose, Fischerspooner, SSION) to add the finishing touches and assist in fully realizing the band’s vision of Diver.

The music that Mary Anne Hobbs once called “pure, agile, hedonistic pop music,” is still there, but in an infinitely more potent and focused form. Callan’s lyricism reaches new intimate lows and ecstatic highs. Where Lemonade used to seek transcendence through psychedelic dance-floor physicality, Callan now looks inward, at the emotions of limited means, the urban everyday, and his attempts to hold on to redemptive love and romance in a cybernetic, information-rich world. Lemonade reference PM Dawn and Sade in the same sentence as Julio Bashmore and Swedish House Mafia. They are sounds of the past synthesized with contemporary dance music boueyed by the most immediate matters of the heart.

“Neptune”, the first taste from Diver, is a case in point. It’s a pure and emotional R&B track, an instant and surprising classic. The single will be released next month with remixes from Mike Simonetti, Jacques Renault, and Sinjin Hawke. Stay tuned for more info.
Venue Information:
Terminal 5
610 W 56th St
New York, NY, 10019
http://www.terminal5nyc.com/