The Devil Makes Three

The Devil Makes Three

Lost Dog Street Band

Fri, January 27, 2017

Doors: 8:00 pm / Show: 9:00 pm

Terminal 5

New York, NY

$27.50 advance / $30 day of show

This event is all ages

The Devil Makes Three
The Devil Makes Three
"There's a road that goes out of every town. All you've got to do is get on it," Pete Bernhard says.

The guitarist/singer and his cohorts in the raw and raucous trio The Devil Makes Three have found their way onto that road numerous times since they first left their picaresque rural hometown of Brattleboro, Vermont. Back then, they had no idea it would lead them to such auspicious destinations as the Newport Folk and Austin City Limits Festivals, Bonnaroo and Lollapalooza, and on tours with Willie Nelson, Emmylou Harris and Rodney Crowell and Trampled By Turtles. Along the way, they drew numerous accolades from a growing fan base and press alike.

TDM3's travels and travails serve as inspiration for their fourth album and their New West Records debut, I'm a Stranger Here, produced by Buddy Miller and recorded at Dan Auerbach's (Black Keys) Easy Eye Sound in Nashville.

With upright bassist Lucia Turino and guitarist Cooper McBean, Bernhard crafted a dozen tunes, part road songs, part heartbreak songs and part barnburners. While most bands are propelled from behind by a drummer, TDM3 builds exuberant rhythms from the inside out, wrapping finger-picked strings and upsurging harmonies around chugging acoustic guitar and bass, plying an ever-growing audience onto its feet to jump, shake and waltz.

TDM3's sound is garage-y ragtime, punkified blues, old n' new timey without settling upon a particular era, inspired as much by mountain music as by Preservation Hall jazz. "We bend genres pretty hard," Bernhard says.

The combination could only have happened via the circuitous route each of them took to forming the band. As kids in Vermont, "all raised by sort of hippie parents" who exposed them to folk, blues and jugbands, Bernhard says, they blazed a path to nearby Boston, Massachusetts in search of punk rock shows. They found venerable venues like The Rat and The Middle East, drawn to east coast bands like the Dropkick Murphys and Aus-Rotten.

"It would be like 6 bucks for 13 bands, everyone playing for 20 minutes," Bernhard says. "I had so much fun going to shows like that. The energy coming off the stage makes a circle with the crowd and comes back. We were really attracted to that energy."

Bernhard and McBean, a multi-instrumentalist who plays banjo, musical saw and bass, forged a particular bond. Unlike most of their mutual friends, they both liked to play acoustic music, with McBean showing Bernhard the wonders of Hank Williams and Bob Wills & the Texas Playboys. They kept in touch after high school, when nearly everyone in their clique relocated to the west coast like the characters in Delbert McClinton's song "Two More Bottles of Wine."

"It was a mass exodus of kids who went out to start bands and be creative, searching for the unknown, dreaming of something different," Bernhard says. "We wanted to get away from where we were from, as many kids do, and California was the farthest we could get." Eventually they landed in sunny Santa Cruz, California, where TDM3 took shape in 2001. Their early gigs were house concerts, then small bars, punk shows, bigger rock clubs and theaters and festivals, all the while defying genre and delighting whomever turned up to listen.

Turino learned bass to join the band, but her unremitting sense of rhythm comes naturally from being raised by parents who were dance teachers, and from her own dance background. Attacking the strings of her upright, she understands how to infuse songs with the force it takes to get a crowd moving.

And the songs on I'm a Stranger Here tell the rest of the story, with the music often joyously juxtaposed against lyric darkness...the rootless nature of being in a touring band, traveling from town to town with little sense of community, represented by a devil-like character ("Stranger")...thorny transitions into adulthood...struggling with relationships ("Worse or Better"), watching friends succumb to addiction ("Mr. Midnight"), coming to terms with mortality ("Dead Body Moving"), nostalgic notions of childhood ("Spinning Like a Top"). Bernhard even considers the destruction of changing weather patterns, inspired in part by Hurricane Katrina as well as a flood that wreaked havoc in Brattleboro ("Forty Days," a gospel rave-up recorded with the Preservation Hall Jazz Band).

Bernhard wrote more than 20 songs for the album and turned them over to producer Buddy Miller, who gravitated toward the darker material but insured that the recording was lit up by the band's innate ebullience. It was Miller's idea to record at Easy Eye rather than his renowned home studio. "Easy Eye is like Sun Records," Bernhard says. "There's one live tracking room filled with amazing gear, and that defines the kind of record you're going to make. That was exactly the record we wanted to make, and we knew Buddy was the one who could capture us playing together like we do."

For a band that made its bones with dynamic performances, recording an album is almost like coaxing lightning into a bottle, but Miller and TDM3 succeed on I'm a Stranger Here. Now they're continuing the journey that began when they found their way to the road that led them out of Vermont. "I can't wait to get onstage, I love it," Bernhard says. "Playing music for a living is a blessing and a curse, but for us there's no other option."
Lost Dog Street Band
Lost Dog Street Band
Lost Dog Street Band formed in the winter of 2010 after husband-and-wife duo Benjamin Tod (guitarist/vocalist) and Ashley Mae (fiddle player) parted ways
with former musical project Barefoot Surrender. Originally conceived as a duet, Benjamin and Ashley quickly dedicated themselves to carrying the tradition
of the American troubadour - hopping trains and hitchhiking across country while delivering their unique brand of original songwriting and tragic storytelling.

In the summer of 2011, while performing on the streets of Nashville, Tennessee, Benjamin and Ashley met Nicholas and Shannon Ridout, two skilled musicians traveling from the Pacific Northwest. Immediately inspired by each other’s music, the two groups began writing collaboratively and soon formed the band Spit Shine. The four musicians quickly built a friendship stronger than family, and together poured their blood and sweat into the music of Spit Shine. For the next two years Lost Dog Street Band took a hiatus, until Nicholas’s tragic death in the spring of 2013.

Pushing through the sorrow of the loss of their best friend, Lost Dog Street Band was resurrected with a fervency. Now doing very little street performing, Lost Dog Street Band tours the country each year, delivering their story through song in venues nationwide. Along the way they keep Nicholas’s work alive by sharing his music at the end of every show they play. They have since added a sometimes third member, longtime friend and drummer, Ivan Doertshuk.

Drawing from years of lonely tramping, and more than one tragic loss, Lost Dog Street Band has crafted a distinct sound that is best described as ‘dark country’. In the same vein as legend Guy Clark and Townes Van Zandt, Benjamin Tod weaves his melodies and lyrics together to offer listeners an unapologetically raw and authentic account of the human experience.

When not on tour, Benjamin and Ashley (and their dog, Copper) spend their days at home in the countryside of Tennessee, where they work their land and carry on as full time artists.
Venue Information:
Terminal 5
610 W 56th St
New York, NY, 10019
http://www.terminal5nyc.com/